Isn’t it funny how following Jesus keeps you on your toes? In my years of knowing Him and walking with Him, my personal testimony is that He has never brought me to places I expected Him to. When I look back at my whole life– born and raised on Long Island, sent to the mission field in South Africa, moving as a newlywed to coastal North Carolina, and most recently, transplanted clear across the country to the mountains of Oregon– there are twists and turns God has set in motion that I could never have anticipated or foresaw myself going in His name.

Praise God from whom all blessings flow. Praise Him all creatures here below. Praise Him among ye heavenly host. Praise Father, Son, and Holy Ghost. These words start and end multitudes of church meetings every week, as Christians meet to praise the Lord and fellowship together. The hymn is so popular, it has come to be called simply, “The Doxology,” a word meaning an expression of praise to the Lord.

This Christmas, I was gifted a book that lists out 150 popular hymns, their sheet music, and a bio of where the hymn was inspired. I picked it up over the past few days and I’ve been leafing through it; finding the hymns I have sung all my life and reading the backstory on where they come from. I have to admit, there are so many hymns that I don’t know, and yet the words to them are sincerely profound and beautiful. This past weekend, I found myself singing “It is Well with My Soul” over and over again as I did housework, so I decided to look it up in the book and find out the inspiration from the song.

When the radio crackled out its first broadcast on Christmas Eve in 1906, listeners tuned in to the voice of Reginald Fessenden reading Luke 2– the birth of Christ– before he picked up his violin and played “O Holy Night.” Yes, that’s right. The first song played on the radio, after years of exclusively morse code, was a hymn depicting the birth of Jesus. The song was written in French as a poem originally by Placide Cappeau in 1843 and set to music by Adolphe Charles Adams for a Christmas Eve mass in 1847. Although the church accepted and loved the hymn at first, it was eventually banned after leadership found out that Adolphe was Jewish and Placide walked away from his faith. Eventually, about a decade later, the hymn would fall into the hands of an American minister, John Sullivan Dwight, who would change some of the lyrics to be the ones we know today.

Today, we begin with a laugh: Sam was scrolling through Twitter a few nights ago and started to chuckle. When I asked him what was so funny, he told me that someone asked via tweet, “Who is Harold Angel?” Of course, this person would be confusing Mr. Harold Angel with the opening line of the same Christmas hymn called, “Hark! The Herald Angels Sing.” The lyrics were originally written by Charles Wesley as a poem and later put to music by George Whitfield in 1753, when the original first line– Hark, how the welkin (heaven) rings– was revised to what we know and love today. What strikes most historians about this hymn is the lyrics; not only are they theologically sound, but they are beautifully put. In three stanzas, this song presents the Gospel in a meaningful and succinct way, which is probably why it has stood the test of time– almost 300 years to be exact.